Wednesday, August 26, 2009
Live at Mona's by Mona's Hot Four
This month’s great find is Live at Mona’s, an album recorded this past winter at NYC’s club of that name on Avenue B between 13th and 14th
Listeners may not recognize the group Mona’s Hot Four by name but dancers will know pianist Gordon Webster, bassist Cassidy Holden, & clarinetist Dennis Lichtman from their solid work with NYC’s Cangelosi Cards. Add Nick Russo on Banjo and guitar and numbers like Temptation Rag are blistering freilachs of musical goodness. Much of the sound here is a more straight forward, fast paced trad jazz that’ll get your bal feet tapping. Most songs are too long for dancing (in the 5-7 minute range), but the performances are musical gems by an assemble that is tight and playing off each other perfectly
Vocalist Tamar Korn adds some of her folksy feel on versions of When You’re Smiling, Puttin’ On the Ritz, and Moonglow. Dan Levinson of the Nighthawks drops in to add clarinet on a few tracks and Jesse Selengut and Rob Adkins of Tin Pan add a great gritty blues feel to Ballin’ the Jack and Tishomingo Blues. You can expect to hear those two cuts when I DJ at upcoming blues gigs.
You can pick up your copy here:
http://losmusicosviajeros.net/mona/purchase.html
Sunday, August 9, 2009
Wynton Marsalis's 7 Rungs of Resistance
"There are 7 basic rungs of resistance up the ladder of artistic success.
I will start from the lowest rung to the highest.
1. Ignorance
Not your fault. Generally the result of a polluted environment. No one knows, so you don’t know. Example: You think funk is jazz.
2. Miseducation
Your teachers are well meaning, but just don’t know. It’s no one’s fault. Example: someone tells you, you have to study classical music to become a jazz musician. Bad advice.
3. Personal difficulties
You just have some major personal problems to overcome. extremely dysfunctional family life or some time of physical or mental disability. Once again, no one’s fault, but an obstacle to overcome.
4. Laziness
You just would rather waste time and achieve through talking what hard work would have ensured. Example: You spend a lot of time talking about what you are going to do and what other people are not doing.
5. Opinion of family and peers
They think you should do what they think you should do. They don’t study music or art, have undeveloped tastes and should be helping develop yours by encouraging you to seek professional teaching. Instead, they offer you a steady stream of uninformed, well meaning, but ultimately bad advice. Example: The advice of your friends in the midst of a nasty breakup. Let them be friends. seek professional help.
6. The opinion of a failed artist
They didn’t make it, so neither will you. Encouragement comes very difficult to them and a strong undercurrent of pure cynicism and negativity can destroy the optimism and faith required to get your artistic aspirations off the ground. Beware, because they also have a lot of very valuable information. but, if their career failures have not been put in perspective, that information can come at too high a price.
7. Uninformed criticism and the court of public opinion
The critics of your time are not fans of the art form that you practice. There’s nothing you can do to make them fans. They have been given unearned positions of authority. Don’t be depressed over this type of criticism. Consider it a compliment. With public opinion, be very careful. If you feel that you are above public opinion, your work can suffer from the type of myopic arrogance that destroys the humility central to artistic development. Part of artistry is submitting your work to be accepted or rejected by non “experts”. It’s like cooking a meal. If you don’t care whether people like it or not, why not just cook for yourself. However, if you follow whatever the trend is, you might end up cooking a Big Mac. Good luck and do your thing."
- Wynton Marsalis, Apr 11, 2009
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